Since his first publication in Aurealis back in 1992, Perth-based writer Martin Livings has had over fifty short stories published in a variety of magazines and anthologies. His short works have been listed in the Recommended Reading list in Year’s Best Fantasy and Horror, and he has had stories in The Year's Best Australian SF & Fantasy, Volume Two and the 2006 and 2008 editions of Australian Dark Fantasy & Horror. His first novel, the horror thriller Carnies, was published by Hachette Livre in 2006, and was nominated for both the Aurealis and Ditmar awards. It's still available for purchase at a bargain-bin price, signed and posted anywhere in the world, through his website, http://www.martinlivings.com. Sorry, disengaging shameless-plug-mode now...
1. Last year you had a story in the Twelfth Planet Press anthology New Ceres Nights ("Blessed are the dead that the rain falls upon"). How did you find the experience of working on a shared world? Is it easier or harder than working on a stand alone stories or within lessconstrained anthology themes?
I actually found writing in the New Ceres universe strangely liberating, as I didn't have to do much worldbuilding, leaving me free to focus on the story I wanted to tell. To be frank, I don't think I'm actually terribly imaginative, and I'm definitely not naturally prolific, so I find having something like this to spark ideas really helpful to get me moving. I've probably been mainly writing for themed anthologies lately for that exact reason, to keep myself inspired. I guess it's also the genesis of Tuesday's Ten Minute Tales, my on-again-off-again weekly speed-written story inspired by suggestions from readers (plug plug, see http://martinlivings.
2. What else would we have seen from Martin Livings since the last Snapshot? What are you most proud of?
I've also had a couple of stories that were received really well, like "Skinsongs", in Twelfth Planet's 2012 anthology, and "Piggies" in Midnight Echo Issue 1, and a few that I was really proud of but that largely came and went without a ripple, like "Blessed are the Dead" in New Ceres Nights, "Smiley" in In Bad Dreams 2 from Eneit Press, and "Bedbugs" in Morrigan Books' Voices. That's always a bit disappointing, but it doesn't dent my pride in those stories, and all the others I've had out as well of course. They're my kids, out in the big bad world, and I wish the best for them all... though would it kill them to pick up a phone every once in a while???
3. And what have you been working on lately? What’s forthcoming in the next year or two?
Apart from that, and a couple more short story projects I'm playing around with... well, I suppose I really should get around to dusting off the novel drafts in various stages of completion that I have languishing in my bottom drawer, perhaps try to get another book out where I don't have to share the contents pages with all these (very fine) young whippersnappers!
4. Which Australian writers or work would you like to see on the Hugo shortlists this year?
And if Jonathan Strahan doesn't pick up a shortlisting for one or more of the, what, four hundred or so anthologies he edited last year, I'll go and write a story involving fairies and cats. Oh, hang on, I'm working on one of them right now...
5. Will you be at Aussiecon 4 in September? If so, what are you most looking forward to about it? What do you think Aussiecon might do for the Australian publishing industry as a whole?
As for the Australian publishing industry as a whole... frankly, I have no idea whatsoever. I guess it could inspire another local SF boom, but then again, looking around, I think we're in the middle of one of those as we speak anyway. My main hope is that it might bring some great Aussie writers, editors and publishers to the attention of the wider world of speculative fiction, get the rest of fandom as excited about them as we are already. That would be the perfect outcome, in my books.
This interview was conducted as part of the 2010 Snapshot of Australian Speculative Fiction. We'll be blogging interviews from Monday 15 February to Sunday 22 February and archiving them at ASif!: Australian SpecFic in Focus. You can read interviews at: